mask

I generally don't like masks. They scare me a bit. But I like making mask forms from plaster. I love the process. That element of trust and contemplation while under the plaster and the feeling of re-birth as it is peeled off. Once I have a mask I have little desire to embellish it. I like to leave them white...not so scary. But in the attempt to prepare for a mask-making workshop I am giving in October, I decided to do something with one of my white masks. I collaged it with some of the paper I had prepared in Haliburton and added a few extra elements. Here's the result. A little creepy I think...but I have only myself to blame :)

more reliquaries...

despite harm (2009), 4½” x 4½”, cast paper, washi, silver, tangerine tree thorn, ink

despite harm (detail)


thwarted (2008), 7½” x 7½”, cast paper, beech seed pods, waxed linen cord

thwarted (detail)

seeking tenderness (2008), 4½” x 4½”, cast paper, silver, washi

seeking tenderness (detail)

reliquaries new and old

I participated in a local studio tour this past weekend and made a few new reliquary pieces. I thought I'd show them here over the next few days with some of my older pieces.

shout (2009), 7½” x 7½”, cast paper, plaster bandage, ink, thread

shout (detail)

tenuous abundance (2007), 7½” x 7½”, cast paper, thread

tenuous abundance (detail)

contained no more (2008), 4½” x 4½”, cast paper

contained no more (detail)

sketchbook covered

Here are photos of the sketchbook which I covered with washi and fragments of the papers that I had prepared in our class. I added a few details with oil pastels and gel pens and then sealed it with gloss medium. Above is the front cover. Below is the back cover (my favourite) followed by details.

washi washed

A wash applied to washi; ink added; left to dry accentuating wrinkles; sewn lines applied.

sanguine yearning

Red Alert - Week 1 opens today. The vernissage (opening) will be the evening of Valentine's Day. I've called my piece sanguine yearning. Sanguine refers to blood but also to optimism and confidence. I will refrain from saying what the piece means to me. My hope is that it will evoke personal associations and emotional responses from those who view it.

running stitch

Inspired by a post at million little stitches, I am posting an image of a sample I did awhile back using the running stitch on japanese paper. I love the simplicity of the running stitch. Subtle and elegant.

tool tuesday: awl right!

Happy St-Jean-Baptiste Day (only celebrated here in Quebec)! I was reading a post on ro bruhn's blog where she mentions (and proudly shows off) a wonderful array of screwdrivers and a dremel bit kit that her husband bought her. We artists love our tools! The boyfriend of an artist friend of mine gave her a dremel tool on their first Christmas together and she was positively overcome with emotion (and that could be one of the reasons she ended up marrying him). As a wedding gift, I gave them a gift certificate to Canadian Tire [hardware store known to all Canadians!] and a roll of duct tape and they were thrilled! Another artist friend of mine practically salivates when she describes in detail the newest metalsmith tool she has acquired. I am regularly seduced by all kinds of tools I see in the hardware store or metalsmith journals or artist books, and half the time I don't even know what they are meant for. We are attached to our tools. We have relationships with our tools. We have favourite tools. Sometimes we use our tools in weird and unexpected ways. I thought it would be fun to keep Tuesdays aside to highlight tools. I could certainly wax poetic about my own favourite tools but it would be interesting to hear from others. Please email me a photo of your favourite tool and tell its history, why you love it, how you use it, what you make with it, and anything else you'd like to share. I will try to post one tool every Tuesday...in all its glory. Spread the word! Below are my collection of awls to start things off (and may I apologize for my terrible awl pun in the title...I couldn't resist).

"Awl: A pointed tool for making holes, as in wood or leather."

I hadn't realized that there were so many different types of awls. The one on the far left is a carpenter's awl. The two with the silver handles are craft awls, often used in scrapbooking, although I use them for preparing paper for sewing or wire insertion. The cheapo awl with the red handle is a tailor's awl and purchased in a fabric store. The other two are made of sturdier stock and are possibly bookbinding awls. I bought the one on the far right for that purpose.

This is my favourite awl. I found it abandoned on the side of the road so I took it back to the studio and gave it a home. It's a perfect size for my hand, has a sharp point, and is rusty. I love it for these reasons and for its mysterious history. I use it mostly for piercing paper but it's always on hand for any poking, prodding, prying, scraping, jamming and all-around puncturing needs I may have.

These are two artist trading cards that I made using washi paper, thread, and...you guessed it... an awl!

remnant reliquaries

Last night I was adding some photographs of my latest pieces to my website, and while I was dragging them around the page they happened to end up in a clump resembling a grid pattern. It occurred to me that they looked very cool like this, so I am posting them all here in grids. I love them all together!